#WHY THEY MUST DO THIS TO MY EMOTIONS

[xxplastic-cubexx]

king magnus skin real cute and lovely but it loses points on the account that i cant see his ass anymore

[ratbugs]

okay. i’m going to take a few big, deep breaths, and try to explain this as eloquently as possible.

how COULD THEY do THIS how could they SPIT in the FACE of all BEAUTY and ART and WONDER how have we GOTTEN HERE why does MY BACK HURT SO DAMN BAD why are we SMASHING our artists into an AI HELL and DISRESPECTING all our mediums of CREATIVITY with a SADNESS born from a CAPITALIST HELLSCAPE

*cough* i mean,

look at the differences in how the emotions of toothless and hiccup are expressed in each scene. the animated verses the live action. yeah, reality (though we’re talking dragons here) is not at all as interesting as what exists within art mediums blah blah blah. but that’s kind of. . . the point? how to train your dragon is a beautifully animated movie (and it’s soundtrack regularly makes me cry, still).

it’s one of the few movie adaptations of a book that takes the original concept, makes it into something completely different - but still respects and celebrates the original work.

it’s enjoyable for all ages, it’s simple, but brilliant. it’s lovely, and it’s sweet.

all these shit live action remakes are not an attempt to expand on creativity or bring something new to the original it’s just a FUCKING CASH GRAB (and we all know it, but i still would like to yell about it. or i fear i may violently consume a corporate executive).

we, as the general society of powerless, relatively non influential average citizens, get fucked over in every aspect of literally everything in every possible way. the least they could do is make that SHIT they serve us ENTERTAINING.

[mongeese]

Very small piece overshadowed by everything else but I full almost cried at Elgin's line here. Service to others and service to a cause you believe in as service to yourself. Not working for anyone else but dedicating yourself to your work and your community because you want to, because it matters to you. So fucking true. Anyway totally unrelated hc that definitely isn't me projecting I think Elgin's butch

[Image ID: A screenshot of The Silt Verses transcript. It reads

"PAIGE stares at her. She's genuinely touched.

PAIGE: Do you do anything for yourself, Elgin?

ELGIN: (Almost surprised by the question) All of this has been for me. You know that Paige, don't you?"

End ID]

[iguessthisisanewobsession]

Rent is a terrible musical and Jason will not be the first person in Gotham to voice this opinion

it's a musical that while having the backdrop of the story being about revolution against an upper class that refuses to make anyone uncomfortable. The status quo is not rocked so people with money can still relate.

The entire character cast are assholes, even the kindest of the main cast still murdered a dog and sang a catchy tune and had no remorse afterwards.

the show never really goes anywhere, character 's don't change and frankly don't care to.

It idealizes drug use and being poor, while there is a subplot for the homeless, there is no care shown for them and kind of implies a choice to be homeless.

That being said he was in the main cast as angel.

Jason is a hypocrite but is well aware of the fact unlike the rest of his family.

He doesn't choose the musical, the director did, and when he had a role time seems to slow down.

Being a vigilante, everything is fast paced, you need to get ducks in a row before one of the ducks takes out an third of the alley.

But to be able to shelf that mindset, even if only for the rehearsals it was nice.

That being said, artistic liberality is a thing.

To hell with angel going into the light peacefully, it ain't right for someone dying of a disease that can be treated.

If you wanted a show about romanticizing dying from a disease than you should go to the opera they tried to be with La bohème and tuberculosis.

No Jason is going to lasso his rage and put a pretty mask on it until he feels the need to put his own twist on a scene.

[lets-try-to-be-normal-otakus]

Steddie fic where steve gets possessed (upside down, demons, etc.) who try and wreck his life and relationships? But it has none of his memories cause either 1) Steve ain't letting it happen 2) x entity doesn't have that power. All it has to go off of is emotions? Cue possessed!Steve meeting Eddie and breaking up with him to harvest more chaos, only

Steve and Eddie aren't together

P!Steve: "It's you, not me. I just don't love you anymore" <feeding off emotions

Eddie: ...

Steve: aw shit

P!Steve: *contains malicious chuckle*

Eddie: ... what?

P!Steve: Ik Ik, I still want to ravish you, but I can't! We're over, I'm breaking up with you. I hope you never get over me and think about my face on every pretty boy you fuck

Eddie: *//_//*

The demon/UD gets found out pretty quick.

[shadystranger]

this moment so fucked up💀

[sucresanguine]

not to be throwing stones but the way people talk about having a "female" childhood as a default good thing in queer spaces is bonkers. Like the amount of abuse I and many others experienced that was directly tied to that shouldn't have to be minimized as some kind of learning experience. I don't actually think suffering in one way makes you a better person for it. I'm not out here saying No One Ever Had A Happy Girlhood but for many people that shit was traumatizing and doesn't need to be put on a pretty little pedestal nor held up as something that made you necessarily more empathetic/feminist/radicalized because imo that really does carry the connotation that all those things were potentially good for you. Being someone who went through that didn't distinctly or directly make me a better feminist or ally, it made me a very very hurt person.

[akai-anna]

Round 8

Round: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8

[thevioletcaptain]

if you as a fic reader ever become possessed by the urge to do a popularity bracket with the fics other people wrote and shared for fun and for free, consider:

don't ❤️ 

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[moregraceful]

it was once observed by a dear friend that the hours in which i am most alert are like 7pm to 2am which probably explains a lot about how my posts get worse throughout the evening. but also sometimes i look at today where i was just sort of gnawing the couch all day until about 5pm when i wrote an entire fic in two hours and then another entire post about kaapo which to be clear took another two hours bc i had to chase links and explain my passions in a kind way and this was in addition to a church meeting. i would excel as the person who lights and then extinguishes lamps in the night

[citrusai]

some shippers when solas has had important relationships from thousands of years ago and he can't just forgive himself for failing those closest to him then and go "okie dokie!" when his wife tells him he can come back home

[workingforitallthetime]

trevor zegras getting a double minor on pride night for blatantly crosschecking brandon tanev is the gay agenda.

[lunarharp]

rare small post of Few images of witch

[tittyinfinity]

My neurodivergencies and mental illnesses overlap so much that you could diagnose me with about anything at this point

[firebirdsdaughter]

Also…

… Just bc I feel bad saying I was lukewarm about him in my other tags… I do like Ichigo. He's one of the more well rounded shonen protags in that he's actually allowed to fail from time to time and while he's overly powerful, isn't treated as the super ultimate power, necessarily. He just happens to be a weird chimera of powers that allows him to to do things people of one aspect can't necessarily do.

And he doesn't insist he's the most powerful either. Him chronically trying to help everyone is his nature, not him looking down on them. He respects the powers of all the Captains and his friends, he just wants to help.

And everyone else is allowed to be strong, too. Kenpachi is an absolute wild card, and I think Byakuya's also up there (not favouritism, I swear—okay, maybe a little bit) if he's fighting without being conflicted (I've come to theorise that first big fight between them would have gone on longer/differently except Byakuya didn't really have his heart in it, he'd just convinced himself he did), Hitsugaya's got a massively powerful sword and he's probably just going to keep getting stronger. Renji and Rukia achieve their own bankais and defeat enemies on their own. Ikkaku and Yumichika are no slouches, either. Despite some questionable writing, Orihime is allowed to be strong as well, having powerful defence and healing abilities, and her kindness is often treated as a strength. Her having no killing intent isn't treated as a bad thing. You've got Shunsui, Ukitake, and bloody Yamato in the mix. Uryuu fights on even footing with plenty of super powered enemies, and though he does go out of focus, Chad is never made out to be the weakest or anything.

Like I liked that in the end, they defeated the overpowered invincible big bad through teamwork the Old Men Brigade set things up, and then even Ichigo couldn't get a hit in until Uryuu used what their fathers made to help (and I'm glad that it was Ichigo and Uryuu working together, bc that was super poetic).

I'm just rambling now, but the point is, Ichigo is a good example of making powerful protag who doesn't (always) come off as too overpowered.

It's often treated as more he happened to be the right combination of things or the right circumstances to prevail. Wasn't hypnotised, already had a little hollow in him, is just really bloody stubborn. He's also just a nice guy! He cares about people he befriends and will work his ass off to help them bc that's his belief.

Anyway, to complete in another direction (sort of), I was thinking about this bc of how when he reaches the Soul Society in the blood war arc, the first thing he does after getting Akon to help is go to see Byakuya. Probably bc he saw that Rukia and Renji were unconscious and Byakuya was fading, and probably knew he'd want to now they were alive, but like. While they're not personally very close, I do think Byakuya is one of the Captains Ichigo is closest to bc he's so close w/ Rukia and Renji. Just by virtue of that, he'll end up interacting w/ Byakuya more often. And he does respect him (I think he got over the 'I'll kill you' the moment Byakuya took Gin's sword for Rukia). He goes to check on him, and reassures him that Rukia and Renji are alive, even saying 'don't worry.' Like I said before, I totally think he would have lied there, if they hadn't been, bc he'd be well aware that information would completely break Byakuya. He thinks he's dying, he wouldn't leave him thinking he'd completely failed to protect them. But more to the point, he doesn't respond after Byakuya talks about how ashamed he is and begs him to help. He responds to the first question, but goes silent after that. And…

I love tranquil fury. I love it. I love this moment bc Ichigo's already fuming from sensing/hearing everyone being hurt. He's already super pissed. But to me there's some thing about the way he goes silent during that talk that feels like a switch is well and truly flipped at that moment. After that, he doesn't stop or pass go, just heads directly to Yhwach and is clearly completely enraged.

Bc until then, there's been a little bit of distance. He's angry bc he could hear it, he's even angrier when he gets in there and sees what's happening, but then he goes over to Byakuya and has one of the strongest, proudest, most level headed and noble people he knows break down in tears and beg him, while apparently dying, for help. The one who had previously told him that none of the Captains would ever need his help.

And that just hits the unstoppable rage button.